![]() I always try to find real-world references to support the work I am doing. ![]() I then begin to build the shot up creatively. “I will begin blocking the shot out and problem-solving what assets, elements, and techniques will be required. Oscar-nominated VFX Supervisor and CG Spectrum Mentor, Genevieve Camilleri talks about how she tackles a shot as a compositor: They match each layer in terms of light and shadow, color and grading, perspective, and depth, while also ensuring each shot maintains continuity within its sequence.īefore digging into their shot, compositors may also be required to research real-life examples, watch reference videos (when possible), and generate multiple concepts.
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